Ogunquit Shore, popular Umbrella Series #2, 16x12 Signature Series Print

Ogunquit Shore, Beach Umbrella Series #2, Signature Series Print

Signature Series limited print run of 100. Only 100 prints of this work in this size will be made available.

Mat Opening Size: 16x12" (15.5x11.5" actual)
Finished Size with Mat: 20x16" (mat included)
Fits Standard Frame: 20x16" (frame not included)

A fine art giclée print of an original watercolor by Kimberly Cooper. This acclaimed series has been on exhibition in a variety of galleries and shows throughout the seacoast of NH. This series captures the fun of a summer at the seaside in New England. The bright colors draw the viewer into the picture and invite them to experience a carefree day at the beach where vibrant beach umbrellas abound.

Artist's statement about the series:
I always found it interesting how popular people bring all these loud, colorful umbrellas, chairs, kites, towels and other brightly colored items each day to the shore. The configurations change with the tide, each making unique compositions against the natural landscape. I love to capture these scenes in watercolor because I feel the white of the paper lends a vibrancy to a sunny day that can't be reproduced in any other medium.

Our Prints:
We are offering the best print technologically available that is color accurate and virtually indiscernible from the original. The print comes with a conservation-grade bright white mat and backing board.

To ensure you receive a lifetime of joy from your purchase, our artist signature prints are painstakingly color matched and printed onsite by ImageArts in Portsmouth, New Hampshire. These prints are held to the industry's highest standard of print quality and longevity. They are created with an Epson 11880 using UltraChrome K3 archival inks, the standard by which all other art prints are judged. The William Turner FineArt Paper from Hahnemuhle is a heavyweight, textured, archival-grade product that is ideal for watercolor reproductions.

NOTE: As with any piece of fine art, it is highly recommended to choose a display location that is not in direct sunlight.

About the Mats (not just “acid-free”):
We use only Crescent® Select conservation mats and backing boards. These highest quality mats are made with 100% virgin alpha-cellulose surface, core and backing papers and are both acid-free and lignin-free. Conservation Mats have a protective lifespan of 50+ years.